|Academic Profile |
| || |
Prof Michael John Kirk Walsh
Chair, School of Art, Design and Media
Professor, School of Art, Design and Media
Chair, School of Art, Design and Media (ADM)
Co-Chair, MA MSCP Program, School of Art, Design and Media (ADM)
|Michael J. K. Walsh has a research focus on 'Conflict and Culture'. This takes several different forms. |
Firstly - Cyprus. He has edited and co-edited five books on the cultural history and heritage protection of Famagusta - Medieval Famagusta: Studies in Art, Architecture and History (Ashgate in 2012), Crusader to Venetian Famagusta (Central European University Press, 2014), Ottoman to British Famagusta (CSP, 2015) and The Armenian Church of Famagusta and the Complexity of Cypriot Heritage: Prayers Long Silent (Palgrave, 2017).
A second research tangent relating to Conflict and Culture is Modernism and the Great War and this has resulted in several books such as This Cult of Violence (Yale University Press, 2002), A Dilemma of English Modernism (University of Delaware Press, 2007), Hanging a Rebel (Lutterworth Press, 2008), London, Modernism and 1914 (Cambridge University Press, 2010), Australia and the Great War: Identity, Memory and Mythology (Melbourne University Press, 2016) and The Great War and the British Empire: Culture and Society (Routledge, 2016).
The Third strand pertaining to Conflict and Culture is to do with music.He has just completed a monograph about poet / songwriter Eric Bogle called 'An Old Man's Tears: Eric Bogle, Music and the Great War' which was published by Routledge in 2018 and is now working on a documentary film, and associated publications, on the lost music of Australian composer F. S. Kelly.
Michael is Chair of the School of Art, Design and Media; Deputy Director of the University Scholars Program, and fellow of both the Royal Society of Arts and the Royal Historical Society.
|My research falls under the umbrella term 'Conflict and Culture' and can be subdivided into three main categories:|
1. British (and imperial) cultural production in the first two decades of the 20th century (especially in relation to the Great War)
2. Heritage in Conflict and Post-conflict Zones: Famagusta, Cyprus.
3. Twentieth century music history
- Art Conservation In Famagusta, Cyprus
- Elegy: Music and the Great War
- Emergency Conservation and Restoration of the Art and Architecture of Famagusta
- Heritage Conservation, Visualization and Education: Protecting Regional Culture of Universal Significance in a Globalizing World
- Visualising Famagusta: Creating a Virtual Museum of the Orthodox Cathedral of Saint George of the Greeks in Famagusta as a Pilot Study for Other Endangered Sites Worldwide
- ‘Animated Installations And Other Creative Solutions To Increase Cultural Heritage Experiences In The Underground Time Corridor Of XIXIA Tomb Museum (Yinchuan, Ningxia Hui autonomous Region, PRC)'
- Walsh, M. (2019). Famagusta Maritima: Mariners, Merchants and Mercenaries. Brill.
- Walsh, M and R. Bernardello. (2018). Heritage Visualisation and Potential speculative Reconstructions in Digital Space: The Medieval Church of St. Anne in Famagusta, Cyprus’. Disegnarecon, 11(21).
- Walsh, M. (2018). The Show Must Go On’: Bernie Tormé, Randy Rhoads and Ten Days in 1982. Rock Music Studies, 5(3), 314-323.
- Walsh, M. (2018). Eric Bogle, No Man’s Land, and the Grave of Willie McBride at the Somme. Contemporary British History, 12(2).
- Walsh, Michael J K. (2018). Eric Bogle, Music and the Great War: An Old Man's Tears. Routledge.