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Name
Research Interests
Asst Prof Andrew Corey Yerkes
Professor Yerkes's areas of interest are nineteenth and twentieth century American literature and culture, realism, naturalism, modernism, postmodernism, narratology, sociological theories the novel, philosophical determinism, and ideological critique.
Asst Prof Astrid Al Mkhlaafy
Graphic Design history, typography, live art as communication and participation art. Currently working on two funded research and design projects using GPS, video and site-specific research in South East Asia and China. The research is focused on pilgrimage sites, metaphorical mountains, and the Tao mountains of China.
Asst Prof Caroline Pluss
My areas of expertise are: Identity, Contemporary Sociological Theory, Race and Ethnicity, Globalization, Culture, Transnationalism, Religion, Socialization, Migration, Singapore and Hong Kong.
Prof Chan Kam Leung Alan
Chinese Philosophy and Religion; Hermeneutics and Critical Theory; Comparative Philosophy and Religion
Assoc Prof Cheung Chiu-Yee
Since 1982, my research has concentrated on a comparison of Lu Xun and Nietzsche. Because of my extensive study of Lu Xun, I am also familiar with the history of modern Chinese literature, Western influence on Chinese writers and thinkers, the intellectual history of modern and contemporary China, and ancient Chinese philosophy. Related to their comparison, I have been working on modern Chinese intellectual history, the problems of Chinese culture and modernisation, the influence of Western philosophy and literary theories in China, and Lu Xun’s legacy in contemporary China.
Vg Asst Prof Cho Mihye
Dr. Cho's research areas are cultural policy, creative cities, world cities and urban changes. Her current research is about Asian world cities and creative industries.
Asst Prof Emma Jane Flatt
Emma Flatt's research concentrates on the History of South Asia, with a special emphasis on the Medieval Deccan. Her work focuses on the social and cultural history of Indo-Islamicate courts and courtiers including investigations into practices of letter-writing, perfume making, astrology and magic, and the use of courtly social spaces like gardens. She is interested in the history of emotions and the cultural constructions of the five senses. She is about to commence a research project into the philosophies and practices of friendship and sociability in Medieval India. Selected publications: 'The Ethic of Jawanmardi: Wrestling and Sword fighting in the Ta?lim of the Deccan,' in Anand Pandian and Daud Ali eds., Genealogies of Virtue: Ethics in South Asia, Indiana University Press, (in press). 'Heavenly Gardens: Astrology and Magic in the Garden Culture of the Medieval Deccan,' in Daud Ali and Emma Flatt, eds., Fragrance Symmetry and Light: The History of Gardens and Garden Cultures in the Deccan (in press).
Asst Prof Foo Tee Tuan
Assistant Prof Foo Tee Tuan areas of expertise are Transnational Chinese Cinema, and Convention and Constraint in Asian Media. His current research work focuses on the interaction between Hollywood and China's motion picture industry.
Asst Prof Goh Geok Yian
Assistant Professor Goh Geok Yian's areas of expertise are: early history of Burma and Southeast Asia, modern Southeast Asian history, China-Southeast Asia relations, early Buddhist networks in mainland and island Southeast Asia, and Burmese historical chronicles and novels. Her current research focuses on the study of Buddhist architecture and mural paintings of Bagan, a medieval Burmese kingdom. Her other research work includes the study of early urbanization and cities in Burma, particularly on comparison made with other contemporary Southeast Asian polities and the applicability of theoretical models. She is also working on an English translation of a 20th-century Burmese novel by a well-known author, Ma Sandar.
Vg Asst Prof Hu Jixun
Dr. Hu Jixun has published a book: The Great Ritual Controversy and Personnel Changes in the Court of Ming Shizong., based on his PhD dissertation. His current research projects include the study of the groups of scholars in Ming and Qing China, the exploring of the concept of political legitimacy in the symbolic level and its supernatural sources and rituals of worshiping God in Imperial China. His research interest is on the political system, the intellectual history of late imperial China, and Chinese classical Bibliograph.
Assoc Prof I Lo-fen
My research interest is Chinese literary work on the paintings, literature, and culture of the Tang and Song dynasties in China; Su Shi studies; the art of Chinese literature and painting; and East Asian literature written in Chinese characters (including that of Japanese and Korean origins). I have published five books on these themes in Taiwan and Mainland China, one of which involved collaboration with scholars from China, the U.S.A., Japan, and Korea.
Asst Prof Jessica Morgan-Owens
As a professional photographer with a PhD in American culture, Jessie Morgan-Owens’s research integrates photographic images into her approach to the study of American literature. Her research focuses on the effects of the media shift ignited in 1839 with the introduction of the photograph, and pursues an interdisciplinary and intermedial approach to the study of writing and photographs in both literary and political contexts. Photography’s impact on American literary practice necessarily had repercussions in persuasive rhetoric and political debate. Her current research project focuses on instances of discourse between photography and writing that appear in the diverse print culture produced by the campaign to abolish slavery in the 1850s. She is also interested in nineteenth century social reform texts; travel writing and photography; concepts of the archive, the narrative, and genre; representations of the photographer in literature and film; and the development of the novel.
Asst Prof Kate Callister Kangaslahti
Dr Kate Kangaslahti specialises in early twentieth-century European art, with particular emphasis on the relationship between art and politics in France during the interwar period. Her current research examines the phenomenon of the School of Paris and the situation of foreign artists practising in France between the First and Second World Wars. Other interests include: the history and philosophy of the museum and its relationship to artistic practice; the politics of display; the role of art and culture in the formation of national identity; orientalism in nineteenth and early twentieth-century French painting and more widely the influence of non-European cultures upon the production of European art.
Asst Prof Kwan Sze Pui Uganda
20th Century Chinese literature; The history of translation in the 20th century China; Comparative literature on Japanese literature and Chinese literature in the late 19th to early 20 century; Hong Kong literature and culture.
Asst Prof Lan Shi-Chi
Dr Lan has written on modern Chinese history-particularly Chinese nationalism and China-Taiwan relations, history and international relations of modern East Asia, and the production of national identities, historical knowledge, and war memory in China, Taiwan, and Singapore.
Assoc Prof Lee Guan Kin
Dr. Lee Guan Kin's areas of expertise are Lim Boon Keng, Singapore Chinese intellectuals, History of Nanyang University, Ethnic Chinese in Southeast Asia, and Southeast Asian Chinese and modern China. She is currently working on two research projects, the first, "The History of Nanyang University", funded by the NTU Academic Research Fund, and the other, "Cultural Transplant and the Construction of Chinese Communities: A Project of Documents & Research on Singapore Chinese Communities", sponsored by the Chiang Ching-kuo Foundation.
Asst Prof Liu Hsiaopong Philip
Assistant Professor Philip Hsiaopong Liu?s areas of expertise are Chinese Diplomatic History, Cross-Strait Relations, and US-China Relations.
Asst Prof (Adj) Loh Kah Seng
Singapore and Malayan history (postwar, colonial) Urban social history Squatters and slum dwellers History of medicine (leprosy) Fires in history Oral history and memory Student activism
Asst Prof Lucy Davis
Lucy's current art practice and writing revolves around ways in which culture and nature are imagined represented and performed in Southeast Asia. Lucy is founder of the Migrant Ecologies Project (2009): The project's mission "embraces concerned explorers, curious collectors, daughters of woodcutters, miners of memories and art by nature.The project evolves through and around past and present movements and migrations of naturecultures in art and life in Southeast Asia." Workwith the Migrant Ecologies Project involves a three year art practice and writing research into of stories of, and relationships between, humans, wood and trees and humans in our region, where trees and wood are explored as material, magic, metaphor, ecological resource and historical agent. Part of the research for the Migrant Ecologies Project is carried out while Lucy is Artist in Residence with Double Helix Timber Tracking Technologies--a company dedicated to combatting illegal logging through DNA profiling timber. The conceptual part of this research engages theoretical intersections of contemporary art practice, posthumanist theory and materiality. The aesthetic explorations in this research involve a reflexive recasting of the material, form and content of the Singapore modern woodcut movement through myriad histories of art, nature and life in Singapore/Malaya. The first production coming out of the Wood:Cut; research was exhibited at Post Museum gallery in May 2009 and received considerable local and international press attention. The second production in this research will be exhibited at The Substation Art Centre, Singapore 09. Alongside the above, Lucy has also an ongoing engagement in the role of public intellectuals and the position of academics and artists in civil society in Singapore/Southeast Asia. A considerable time spent in art and tertiary institutions, in Singapore and elsewhere, has moreover provoked an interest in a politics of gender and ethnicity amongst late capitalist "homo academicus".
Asst Prof Martin Constable
I am deeply fascinated by the way that compositing technologies (like Photoshop and Shake) have changed the shape of our culture. The role of the artist has been completely re-defined by these events. This change is comparable to the change wrought upon painters by the invention of photography. In my work as an artist I try to cross bread the disciplines of photography and painting. It is also very heavily informed by poplar culture, particular gaming, the cinema, space travel and advertising. My other line of research is in the field of digital aesthetics, which I feel are re-forming our view of the world and our expectations of it. Papers: Technarte. The New Technologies, the Old Masters and their Joint Effect on the Look of the Contemporary Blockbuster. Delivered: Technarte (International Conference on Art and Technology) Location: Bilbao Date: 25 May 2007 ED-Media. The Painted Photograph: Technical Commonality Between the Digital Composite and the Pre-Modern Painting. Delivered: ED-Media (Assn. for the Advancement of Computers in Education) Location: Vancouver Date: 08 June 2007 Paper, IV07 IEEE. 'Analyzing a Digital Image in a Way that is Useful to a Student of Art'. Delivered: Infoviz Information Visualization Conference IV07 (Institute of Electrical and Electronics Engineers) Location: Zurich Date: 05 July 2007 Teaching and Learning Seminar NTU 'Meeting the Particular E-Learn Requirements of a Digital Painting Course Using a Mix of Adapted and Tailored Solutions'. Delivered: NTU Teaching and Learning Seminar, Location: NTU Date: 28 June 2007 Presentation, ZNode. 'On the Necessity of Illness'. Delivered: ZNode Mini Syposium The Transdisciplinary Practice Research in Art and Science Location: Singapore Date: 24 July 2007 Siggraph Asia 2008 'Deconstructing an Old Master Painting Using Photoshop's Advanced Toolset'. Delivered: Siggraph Asia 2008 Location: Singapore Date: 08 Dec. 2008 Re:live 09 Third International Conference on the Histories of Media Art, Science and Technology 'Visual Digitality: Towards Another Understanding'. To be Delivered: Melbourne 2009
Asst Prof Nanci Takeyama
Prof Nanci Takeyama research interests are on Semantics of form, Visual Culture Identity, Anthropology of form, Asian traditional arts and crafts, Asian design curriculum, Social responsibility.
Vg Asst Prof Ng Woon Lam
His research interests include areas in Art Education, Scientific study of art materials, Oriental Art History and Culture, South East Asia Art and Classical Painting language in Contemporary Art.
Asst Prof Ngoi Guat Peng
Ming Intellectual History ;Daoxue Neo-Confucianism;Syncretism in late Ming;Chinese Knowledge Production and Local History in Malaysia.
Prof Paul Kohl
Prof Kohl's areas of expertise are photography, both digital and analog, ink-jet printing, and web page design. His current research work focuses on fine art printing using the ink-jet printer and high quality papers.
Vg Assoc Prof Peter van de Kamp
Anglo-Irish Literature (specialising in 19th and early 20th century--Mangan, Yeats, Joyce, et al) English Literature (particularly 19th and early 20th century). Language Philosophy Pragmatics and Stylistics Contemporary world fiction and poetry Scholasticism and esthetics (from Aristotle to Husserl) Translation of Poetry
Assoc Prof Quah Sy Ren
Modern Chinese literature and culture, theatre and performance, Singapore studies. Dr Quah is currently working on theatre and cultural activism in Singapore between 1950s and 1970s.
Assoc Prof Stephen Teo Kian Teck
Associate Professor Stephen Teo's current research work focuses on several aspects of theoretical interest in film. Firstly, contributing to the discourse on Asian Cinema as an alternative paradigm to Hollywood as the global form, and thus to evolve a concept of Asian Cinema as a viable cinematic and media theory supporting pedagogical and creative modules. Asian cinema and the concept of national cinema are inter-related forces but it is the latter that tends to subsume the former in theoretical discourse. Teo's research work seeks a concentrated, rigorous approach to defining Asian cinema as a specialized norm of aesthetics and thematic field that can be broadly applied to Asian films produced by diverse national film industries in Asia. How do Asian cinemas transcend national interests and become an Asian Cinema as a unitary and unifying element? With Asian film industries modelling themselves on Hollywood,how can an Asian cinema stand up as an alternative model to Hollywood? A second area of Teo's reasearch interest revolves around the nature of film in relation to cultural theory and other fields of cultural interest, including literature, history and popular arts. The literary and visual contrast inherent in cinema is a striking anomaly that calls for more theoretical investigation. Teo's work has concerned itself with how historical literary works are transposed into the cinema and how historical prototypes are transfigured as cinematic personalities but retaining essential qualities. A third area of Teo's work lies in genre and auteur studies. Teo is interested in standard Hollywood genres such as the Western, the action-adventure film, the thriller, the epic, the musical, and he seeks to explore their inter-textual connections with Asian genres such as the martial arts film, the gangster action film, the melodrama, horror, and historical epic. How do auteurs transform genre? A fourth area of research interest lies in the study of emerging Asian "New Waves" in traditionally ignored film industries such as those in Malaysia, Singapore, Thailand, and the Philippines. Can these Southeast Asian cinemas make a lasting impact on the discourse of Asian cinema?
Asst Prof Yow Cheun Hoe
Chinese overseas and Chinese diaspora; Relations between Chinese overseas and China; Southeast Asia, particularly Singapore and Malaysia; Qiaoxiang(ancestral homeland)areas in China, particularly Guangdong and Wenzhou; Chinese education in Southeast Asia; Chinese writers and their works in Southeast Asia; New Chinese migrants in Singapore; Chinese business networks; Transnationalism.
Dr Yuan Jinhong
TCM treatment of endocrine metabolic disease
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